Anchors
| Anchor text | Ref. domains ▾ | Top DR | Ref. pages | Links to target | Dofollow links |
|---|---|---|---|---|---|
| Music Theory Online | 6 | — | 0 | 6 | 5 83.3% |
| Charting the Score in a Multimedia Context: the Case of Paradigmatic Analysis | 2 | — | 0 | 2 | 2 100% |
| http://www.mtosmt.org | 2 | — | 0 | 2 | 2 100% |
| historically white | 1 | — | 0 | 1 | 1 100% |
| „Modal Idioms and Their Rhetorical Associations in Rachmaninoff’s Works” | 1 | — | 0 | 1 | 0 0% |
| https://mtosmt.org/issues/mto.16.22.3/mto.16.22.3.givan.html | 1 | — | 0 | 1 | 1 100% |
| http://www.mtosmt.org/issues/mto.11.17.2/mto.11.17.2.cox.html | 1 | — | 0 | 1 | 0 0% |
| Heidemann | 1 | — | 0 | 1 | 1 100% |
| Link to publication | 1 | — | 0 | 1 | 1 100% |
| Improvisatory exercises as a key to analyze group dynamics in collective improvisation: the case of the Gruppo di Improvvisazione Nuova Consonanza | 1 | — | 0 | 1 | 1 100% |
| Reassessing the Plagal Cadence in Byrd and Morley | 1 | — | 0 | 1 | 1 100% |
| 2022 | 1 | — | 0 | 1 | 1 100% |
| Compositions, scores, performances, meanings | 1 | — | 0 | 1 | 1 100% |
| "Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres*" | 1 | — | 0 | 1 | 0 0% |
| https://mtosmt.org/issues/mto.02.8.4/mto.02.8.4.holm-hudson.html | 1 | — | 0 | 1 | 0 0% |
| http://mtosmt.org | 1 | — | 0 | 1 | 1 100% |
| Music Theory Online, Volume 17, No 3. | 1 | — | 0 | 1 | 0 0% |
| Article "Music Theory and the White Racial Frame" in Music Theory Online (external link) | 1 | — | 0 | 1 | 1 100% |
| Example 5. | 1 | — | 0 | 1 | 0 0% |
| Metaphor and Music Theory: Reflections from Cognitive Science | 1 | — | 0 | 1 | 1 100% |
| Commentary on Butterfield's 'The Power of Anacrusis' | 1 | — | 0 | 2 | 2 100% |
| Online | 1 | — | 0 | 2 | 2 100% |
| www.mtosmt.org/issues/mto.01.7.2/mto.01.7.2.cook.html | 1 | — | 0 | 1 | 1 100% |
| Ligeti’s Chamber Concert / Stockhausen’s « …how time passes… » | 1 | — | 0 | 1 | 1 100% |
| Online-Zeitschrift der SMT | 1 | — | 0 | 1 | 1 100% |
| 1 | — | 0 | 1 | 1 100% | |
| ""So Complete in Beautiful Deformity": Unexpected Beginnings and Rotated Riffs in Meshuggah's obZen" | 1 | — | 0 | 1 | 0 0% |
| "Songs for Hands: Analyzing Interactions of Sign Language and Music" | 1 | — | 0 | 1 | 0 0% |
| a story behind it involving two of the most celebrated opera composers in history | 1 | — | 0 | 1 | 1 100% |
| https://www.mtosmt.org/issues/mto.96.2.1/mto.96.2.1.littlefield.html | 1 | — | 0 | 1 | 1 100% |
| http://mtosmt.org/issues/mto.13.19.2/mto.13.19.2.lewis.php | 1 | — | 0 | 1 | 1 100% |
| http://www.mtosmt.org/issues/mto.13.19.2/mto.13.19.2.moseley.php | 1 | — | 0 | 1 | 1 100% |
| Synthèse (Society for Music Theory) | 1 | — | 0 | 1 | 1 100% |
| Philip Sewell's MTO Article: Music Theory and the White Racial Frame | 1 | — | 0 | 1 | 1 100% |
| A Circular Plot for Rhythm Visualization and Analysis | 1 | — | 0 | 2 | 2 100% |
| observations | 1 | — | 0 | 1 | 1 100% |
| Intersubjectivity and Shared Dynamic Structure in Narrative Imaginings to Music | 1 | — | 0 | 1 | 1 100% |
| https://mtosmt.org/issues/mto.99.5.1/mto.99.5.1.vlagopoulos.html | 1 | — | 0 | 1 | 1 100% |
| 2016 | 1 | — | 0 | 1 | 1 100% |
| this excellent introduction | 1 | — | 0 | 1 | 1 100% |
| Scriabin and the Possible | 1 | — | 0 | 2 | 2 100% |
| review of Music21 | 1 | — | 0 | 1 | 1 100% |
| https://mtosmt.org/issues/mto.22.28.4/mto.22.28.4.duguay.html | 1 | — | 0 | 1 | 1 100% |
| http://mtosmt.org/issues/mto.18.24.4/mto.18.24.4.canonne.html | 1 | — | 0 | 1 | 1 100% |
| 1 | — | 0 | 1 | 1 100% | |
| On Meter and the Social Dynamics of Cueing in Bill Monroe’s 'Muleskinner Blues | 1 | — | 0 | 1 | 1 100% |
| Music Theory Online 19.3 | 1 | — | 0 | 1 | 1 100% |
| “Integration, Urbanity, and Multi-Dimensionality in Schoenberg’s First Quartet” | 1 | — | 0 | 1 | 1 100% |
| College of William and Mary: Assistant Professor of Music, Theory and Composition (Tenure Eligible) | 1 | — | 0 | 1 | 1 100% |
| http://mtosmt.org/issues/mto.18.24.4/mto.18.24.4.sprick.html | 1 | — | 0 | 1 | 1 100% |
Frequently Asked Questions
What anchor texts are used to link to mtosmt.org?
This page shows all anchor texts found in backlinks pointing to mtosmt.org, sorted by the number of referring domains using each anchor. Anchor texts range from branded terms (like the domain name itself) to keyword-rich phrases that describe the linked content. The distribution of anchor texts reveals how other websites perceive and describe mtosmt.org.
What is anchor text?
Anchor text is the visible, clickable text in a hyperlink. Search engines use anchor text as a signal to understand what the linked page is about. For example, if many sites link to a page using the anchor text "best running shoes," search engines infer that the page is relevant to that topic. Anchor text appears in several forms: exact-match (contains target keywords), branded (uses the company or domain name), generic (like "click here"), and naked URLs.
Why is anchor text analysis important for SEO?
Anchor text analysis helps identify potential SEO risks and opportunities. A natural backlink profile has diverse anchor texts including branded terms, generic phrases, and topic-relevant keywords. Over-optimization, where too many backlinks use the same exact-match keyword anchor, can trigger search engine penalties. Conversely, understanding which anchors drive the most authority (measured by referring domain count and DR) helps prioritize link building efforts.
How many unique anchor texts does mtosmt.org have?
The anchor text report for mtosmt.org displays all distinct anchor texts grouped by their hash. Each row shows how many unique referring domains use that anchor, the total number of links, and the dofollow percentage. A high number of unique anchors generally indicates a healthy, natural backlink profile with diverse link sources.